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      <image:title>Home - INTRODUCING THE NEWEAST ART NETWORK</image:title>
      <image:caption>An interview with the NEWEAST coordinator Marija Petrovic how to connect and expand the visibility of cultural institutions from post-socialist countries in Central and Eastern Europe</image:caption>
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      <image:title>Home - “The EU doesn’t understand the eastern european oligarch way of thinking”</image:title>
      <image:caption>Under the reign of the Hungarian ultra-conservative party Fidesz, Hungary has increased pressure on civil organizations and art institutions. Béton Bleu Magazine spoke with Gábor Orbán and Julia Vida* from “SZABAD TEREK/OPEN SPACES,” a network of NGOs and artistic spaces based in Budapest, about civic organising and cooperation in illiberal democracies.  Mihály Biró, Red Parliament!, 1919 © Copyright of the work expired, Photo: Museum of Fine Arts - Hungarian National Gallery, 2023</image:caption>
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      <image:title>Home - “MOST INDEPENDENT RUSSIAN ARTISTS HAVE AlREADY LEFT”</image:title>
      <image:caption>© Evgeny Granilshchikov</image:caption>
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      <image:title>Home - “Eastern European cultural initiatives are barely connected with each other AND We want to change that”</image:title>
      <image:caption>Interview with the East European Biennal Association © Sasha Kovalenko, Visual Cultural Research Center</image:caption>
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      <image:title>Home - PAN-EUROPEAN Kyiv Biennial: reintegratING the Ukrainian artistic community, divided by war and scattered across Europe</image:title>
      <image:caption>An interview with Vasyl Cherepanyn, Artistic Director of Kyiv Perennial, about the realities of war and decolonisation movements within Eastern European culture.</image:caption>
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      <image:title>Home - “The Sound of Birds mixes with the sound of explosions” YANA HRYHORENKO SPEAKS ABOUT THE WAR IN KYIV</image:title>
      <image:caption>Photographer YANA HRYHORENKO speaks about the war in Kyiv</image:caption>
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      <image:title>Home - “FIDESZ AND PIS change ARt institutions from inside - not through censorship”</image:title>
      <image:caption>© Piotr Bosacki</image:caption>
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    <loc>https://www.betonbleu.org/interviews</loc>
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      <image:title>Art_Interviews - “Gäbe es nur politische kunst, müsste man sie wohl propaganda nennen.”</image:title>
      <image:caption>Simon GoritschniG // (C) BarabarA Tunkowitsch</image:caption>
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      <image:caption>ABERRATIONS II, 2019</image:caption>
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      <image:title>Art_Interviews - “Droht ein politischer Zustand unser Leben in der Gesellschaft einzuschränken, reagiert die Kunstwelt recht schnell. “</image:title>
      <image:caption>Simon Goritschnig (c) Marcus Heim</image:caption>
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      <image:caption>ABERRATIONS II, 2019</image:caption>
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      <image:title>Art_Interviews - TROUVEREZ D'AUTRES INTERVIEWS ICI.</image:title>
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      <image:title>Art_Interviews - s'il n'y avait que l'art politique, il faudrait probablement l'appeler propagande.</image:title>
      <image:caption>Simon GoritschniG // (C) BarabarA Tunkowitsch</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1580576122541-EV6VUBY0WZV2LTG6BMYK/portraitfoto%2Bby%2Bmarcus%2Bheim1.jpg</image:loc>
      <image:title>Art_Interviews - “si une condition politique menace de restreindre notre vie en société, le monde de l'art réagit assez rapidement.”</image:title>
      <image:caption>Simon Goritschnig (c) Marcus Heim</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>ABerations II, 2019, Reims</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship” AN INTERVIEW WITH STUDIO RIZOMA</image:title>
      <image:caption>Izabela Anna Moren © Studio Rizoma</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1650916310682-M7M2CB7379E1WMAQ9TA9/savicvodeb.png</image:loc>
      <image:title>Art_Interviews - “FAKE NEWS ARE NOW PART OF EVERYDAY CULTURE”- AN INTERVIEW WITH SLOVENIAN MEDIA ACTIVIST DOMEN SAVIC</image:title>
      <image:caption>Domen Savič</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586532919765-JB0TM8CC1GZAEXNZ1S8V/Simon%2BGoritschnig%2Bfor%2BBeton%2BBleu.jpg</image:loc>
      <image:title>Art_Interviews - Artist Simon Goritschnig on the globalisation of the art market and the need for international art residencies</image:title>
      <image:caption>Artist Simon Goritschnig on globalisation, political art and his international residencies.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/52946d93-6ef9-4850-b460-e7ffd628d0a2/Kyiv_Perennial_newsletter_7fccb3d01c.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>DECENTRALISED KYIV BIENNIAL: REINTEGRATE THE UKRAINIAN ARTISTIC COMMUNITY, DIVIDED BY WAR AND SCATTERED ACROSS EUROPE. An interview with Vasyl Cherepanyn, Artistic Director of Kyiv Perennial, about the realities of war and decolonisation movements within Eastern European culture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1606160842338-L8FYZQJ0F9OBHF54EIRF/Marie-Tomanova-43.jpg</image:loc>
      <image:title>Art_Interviews - PHOTOGRAPHER MARIE TOMANOVA ON POST-SOVIET YOUTH CULTURE AND THE DIFFERENCES BETWEEN THE CZECH AND NEW YORK ART SCENE</image:title>
      <image:caption>(c) Marie Tomanova</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586532787957-RNCQNXNU6DLACLCN9YK4/Cenni%2BNajy%2Bfor%2BBeton%2BBleu.jpg</image:loc>
      <image:title>Art_Interviews - CENNI NAJY, lecturer at the Global Studies Institute in geneva,on the role of the EU in the COVID-19 crisis</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1604521339690-ZA7YX73QHO66B8PPGOYP/gb20_p_1_catherine_opie_bo_from_being_and_having_1991.jpg</image:loc>
      <image:title>Art_Interviews - “NEW WAYS OF BEING A MALE IN THE 21ST CENTURY” - CURATOR ALONA PARDO ON MASCULINITIES AND HOW THE PANDEMIC HAS CHANGED THE WAY WE EXPERIENCE ART</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624987618000-UNBN36I618TYXFRCKYUU/Annama%CC%81ria+Kmetyo%CC%81.png</image:loc>
      <image:title>Art_Interviews - "I do not believe that the EU can save us Hungarians"- Tibor Rácz-Stefán</image:title>
      <image:caption>(c) Barbara Mihályi: "A magic place where women are free - being bold, hairy, big, small and naked"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1596903909902-OXF3018T5NUFKZPP0VL3/DIK%2BFagazine%2BNo%2B11%252C%2B2017.jpg</image:loc>
      <image:title>Art_Interviews - MULTI-DISCIPLINARY ARTIST AND CURATOR KAROL RADZISZEWSKI ON POLITICAL ART, POLISH ELECTIONS AND THE LGBT-COMMUNITY</image:title>
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      <image:title>Art_Interviews - “There are no more &gt;normal&lt; days SINCE THE WAR STARTED”</image:title>
      <image:caption>Evgeny Granilshchikov</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1632753336167-AMRCIIHA41XRFYJ9AQPG/Milo-Rau-c-Bea-Borgers.jpg</image:loc>
      <image:title>Art_Interviews - “the revolution begins when you link the economic system with the cultural one”- MILO RAU</image:title>
      <image:caption>The production “Lenin” at the Schaubühne in Berlin © Thomas Aurin</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1609339828996-R0MPQ5CCWC4COUS8LL6Q/adk20_Ostkreuz_Kontinent_Johanna-MariaFritz.jpg</image:loc>
      <image:title>Art_Interviews - “EUROPE IS PERCEIVED THROUGH fragments of experiences” - AN INTERVIEW with INGO TAUBHORN , CURATOR OF CONTINENT - IN SEARCH FOR EUROPE</image:title>
      <image:caption>© Ute Mahler und Werner Mahler/OSTKREUZ</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1636365188474-HMB2OUD0RI3T7D3BKXCF/Sasha+Kovalenko_51601967237_9a22de3df3_o.jpg</image:loc>
      <image:title>Art_Interviews - “Eastern European cultural initiatives themselves are barely connected with each other. We want to change that.” - Interview with the EEBA</image:title>
      <image:caption>Vasyl Cherepanyn</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611819695467-PG2GQ6YJTMVSTZSUP3Q1/Karol2.jpg</image:loc>
      <image:title>Art_Interviews - “Even if only a few member states start taking steps, the LGBTIQ Equality strategy HAS haD an impact”- Alina Tryfonidou</image:title>
      <image:caption>© Karol Radziszewski</image:caption>
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      <image:title>Art_Interviews - “WE DEMAND THAT ART AND CULTURE BECOME AN INTEGRAL PART OF EUROPEAN POLITICS” - A MANIFESTO FOR MORE CREATIVE COOPERATION in EUROPE</image:title>
      <image:caption>The European Alliance of Academies</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1584449656427-I3KCXI0A5E22WX4DN4HD/182647F097003_1.jpg</image:loc>
      <image:title>Art_Interviews - CULTURAL SCIENTIST MARIE ROSENKRANZ ON THE VISUAL LANGUAGE OF THE EU AND political art in TIMES OF BREXIT</image:title>
      <image:caption>Cultural scientist Marie rosenkranz on European cultural policy, the visual language of the EU and why artists become political in times of Brexit.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/36a04377-41a0-46c6-bd48-f3ed81e6a63e/Screenshot+2022-10-03+at+13.23.10.png</image:loc>
      <image:title>Art_Interviews - “THE ARTS AND CULTURAL SECTOR IS ONE OF THE BULWARKS AGAINST ILLIBERALISM”- AN INTERVIEW WITH the Artistic Freedom Initiative</image:title>
      <image:caption>© Piotr Bosacki</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/3fc93fed-b78f-4981-a6a1-0d2f9c440899/Screenshot+2024-01-04+at+12.00.14.png</image:loc>
      <image:title>Art_Interviews - INTRODUCING THE NEWEAST ART NETWORK</image:title>
      <image:caption>An interview with the NEWEAST coordinator Marija Petrovic how to connect and expand the visibility of cultural institutions from post-socialist countries in Central and Eastern Europe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1648501872337-6VO27WBCN6M6JIQ142WQ/1.jpg</image:loc>
      <image:title>Art_Interviews - “The Sound of Birds mixes with the sound of explosions” YANA HRYHORENKO SPEAKS ABOUT THE WAR IN KYIV</image:title>
      <image:caption>Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - “IN DER EU STEHT Kultur leider immer wieder zur disposition.”</image:title>
      <image:caption>Marie Rosenkranz forscht an der zeppelin universität über kunstaktivismus in der brexit-debatte. (C) Wolfgang schmidbauer</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>wolfgang tillmanns kampagne “vote remain” aus dem jahr 2016.</image:caption>
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      <image:caption>Wolfgang ischinger bei der münchner sicherheitskonferenz.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>wolfgang tillmanns kampagne “vote remain” aus dem jahr 2016.</image:caption>
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      <image:caption>Ein EUROPA-Hoodie der marke eurotic.</image:caption>
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      <image:caption>The EUROPe-Hoodie from the brand eurotic.</image:caption>
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      <image:caption>Wolfgang ischinger at the munich security conference, an annual conference on international security policy.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1584447395237-OH65CMNODVZVD812ACJQ/MarieRosenkranz-6160-2.jpg</image:loc>
      <image:title>Art_Interviews - “Why does culture CONSTANTLY have to be renegotiated in the EU?”</image:title>
      <image:caption>as a phd-candidate, Marie Rosenkranz is analyzing artistic interventions in times of brexit. (C) Wolfgang schmidT</image:caption>
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      <image:caption>wolfgang tillmanns Campaign “vote remain”, UK, 2016.</image:caption>
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      <image:caption>wolfgang tillmanns, “vote remain”, UK 2016.</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>- Cenni Najy</image:caption>
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      <image:caption>Wolfgang ischinger at the munich security conference in 2018. a few months later the eu commission published the strategy paper “promoting our european lifestyle”.</image:caption>
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      <image:title>Art_Interviews - “WITh the magnitude of THE COVID-crisis we can certainly expect significant political changes in the eu.”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews - “ l'ampleur de cette crise est vaste, nous pouvons certainement nous attendre à des changements politiques importants dans l’ue .”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>MAIS CENNI NAJY RESTE Encore SCEPTIQUE QUANT AU FAIT QUE LA SUISSE SOIT UN ENFANT MODÈLE POUR L'UE.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>Wolfgang ischinger at the munich security conference in 2018. a few months later the eu commission published the strategy paper “promoting our european lifestyle”.</image:caption>
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      <image:caption>recently, Radziszewski portrayed and filmed Ewa Holuszko , one of the leaders of the Solidarity Movement. (c) Karol Radziszewski</image:caption>
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      <image:title>Art_Interviews - “The visibility that means freedom also makes life more dangerous”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>karol Radziszewski, “The power of secrets”, 2019. (Photo: Bartek Górka)</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>Karol Radziszewski started DIK FAgazine in 2005. (c) Karol Radziszewski</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>Radziszewski collaborated with Wolfgang Tillmans on the “Vote together” campaign.</image:caption>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>Radziszewski war teil der “Vote together” kampagne von Wolfgang Tillmans.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1596904226738-1CE7UGM7XQMWT6JAJ9H0/Karol+Radziszewski%2C+The+Power+of+Secrets%2C+2019+%281%29.jpg</image:loc>
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      <image:caption>karol Radziszewski, “The power of secrets”, 2019. (Photo: Bartek Górka)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1596904472452-4LVVTBSNPSCVKRMIE7HB/Karol+Rodziszewski%2C+_Ewa+Holuszko_%2C+2019+%281%29.JPG</image:loc>
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      <image:caption>Radziszewski porträtierte kürzlich Ewa Holuszko , eine der Anführerinnen der solidarnosz-bewegung.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1596903630330-MZDYAE5LTKFW78E7HTMJ/Karol%2BRadziszewski_Photo%2Bby%2BKuba%2BDabrowski.jpg</image:loc>
      <image:title>Art_Interviews - "Die Sichtbarkeit, die uns Freiheit brACHTE, MACHT UNSER Leben gefährlicher"</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>Karol Radziszewski gründete das DIK FAgazine im jahr 2005.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1596903909902-OXF3018T5NUFKZPP0VL3/DIK%2BFagazine%2BNo%2B11%252C%2B2017.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
      <image:caption>Karol Radziszewski gründete das DIK FAgazine im jahr 2005.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1596903630330-MZDYAE5LTKFW78E7HTMJ/Karol%2BRadziszewski_Photo%2Bby%2BKuba%2BDabrowski.jpg</image:loc>
      <image:title>Art_Interviews - PLATZHALTER FÜR DIE POLNISCHE VERSION</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>Radziszewski porträtierte kürzlich Ewa Holuszko , eine der Anführerinnen der solidarnosz-bewegung.</image:caption>
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      <image:caption>karol Radziszewski, “The power of secrets”, 2019.</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>Radziszewski war teil der “Vote together” kampagne von Wolfgang Tillmans.</image:caption>
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      <image:title>Art_Interviews - “iT’s about offering new ways of being AND LIVING AS a male in the 21st century”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>Catherine Opie, Bo, From the series “Being and Having”, 1991, (c) Catherine Opie</image:caption>
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      <image:caption>Installation view Masculinities: Liberation through Photography, Gropius Bau, 2020, (c) Gropius Bau, photo: Luca Girardini</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1604520795214-5D5GHV1CUHV2NI6YLQMK/B%25C3%25A9ton%2BBleu_Gropius%2BBau_Magazine_Political</image:loc>
      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>Masahisa Fukase, From the series “Family”, 1971–90, (c) Masahisa Fukase Archives</image:caption>
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      <image:caption>Adi Nes, Untitled, from the Series „Soldiers“, 1999, (c) Adi nes</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>Thomas Dworzak, Taliban portrait. Kandahar, Afghanistan, 2002, (c) Thomas Dworzak</image:caption>
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      <image:caption>Catherine Opie, Rusty, 2008, (c) Catherine Opie</image:caption>
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      <image:caption>Adi Nes, Untitled, from the Series „Soldiers“, 1999, (c) Adi Nes</image:caption>
    </image:image>
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      <image:caption>Catherine Opie, Bo, Aus der Serie „Being and Having“, 1991, (c) Catherine Opie</image:caption>
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      <image:caption>Thomas Dworzak, Taliban portrait. Kandahar, Afghanistan, 2002, (c) Thomas Dworzak</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>Masahisa Fukase, Aus der Serie „Family“, 1971–90, (c) Masahisa Fukase Archives</image:caption>
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      <image:title>Art_Interviews - “WAS MACHT EINEN MANN ZUM MANN - JETZT, IM 21. Jahrhundert?”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>Catherine Opie, Rusty, 2008, (c) Catherine Opie</image:caption>
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      <image:caption>Installationsansicht Masculinities: Liberation through Photography, Gropius Bau, 2020, (c) Gropius Bau, photo: Luca Girardini</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>(C) MARIE TOMANOVA</image:caption>
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      <image:caption>(c) Masha Demianova</image:caption>
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      <image:title>Art_Interviews - “SOMETIMES you could still feel the communist times THERE: In the people, in the mood, in the attitude”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Daniel King</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>(c) Marie Tomanova</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>Thomas Dworzak, Taliban portrait. Kandahar, Afghanistan, 2002, (c) Thomas Dworzak</image:caption>
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      <image:caption>(c) Marie tomanova</image:caption>
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      <image:caption>(c) Marie Tomanova</image:caption>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:caption>(c) Marie tomanova</image:caption>
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      <image:caption>(C) Marie tomanova</image:caption>
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      <image:caption>(c) Marie tomanova</image:caption>
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      <image:caption>(C) MARIE TOMANOVA</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>(C) Marie tomanova</image:caption>
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      <image:caption>(c) Marie Tomanova</image:caption>
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      <image:caption>(c) Masha Demianova, Baby I Like It Raw: Post-Eastern Bloc Photography &amp; Video</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>(c) Marie Tomanova</image:caption>
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      <image:caption>(C) MARIE TOMANOVA</image:caption>
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      <image:title>Art_Interviews - “MANCHMAL BEMERKT MAN DEN KOMMUNISMUS DORT NOCH IMMER: In DEN MENSCHEN, IN IHREN LAUNEN, IN IHRER attitude”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Daniel King, Baby I Like It Raw: Post-Eastern Bloc Photography &amp; Video</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Marie tomanova</image:caption>
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      <image:caption>(c) MARIE TOMANOVA</image:caption>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Marie tomanova</image:caption>
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      <image:caption>(c) MARIE TOMANOVA</image:caption>
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      <image:caption>(C) MARIE TOMANOVA</image:caption>
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      <image:caption>(c) Marie tomanova</image:caption>
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      <image:caption>The European Alliance of Academies</image:caption>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1608144712309-01OZHVEL7DY4XU614VT5/flat%2C750x%2C075%2Cf-pad%2C750x1000%2Cf8f8f8.u1.jpg</image:loc>
      <image:title>Art_Interviews - European Alliance of Academies - A JOINT PROJECT OF CULTURAL INSTITUTIONS</image:title>
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      <image:caption>Europäische Allianz der Akademien</image:caption>
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      <image:title>Art_Interviews - ALLIANZ DER AKADEMIEN - EIN GEMEINSAMES PROJEKT EUROPÄISCHER KULTUR-INSTITUTIONEN</image:title>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - Alliance des Académies - UN PROJET DES INSTITUTIONS CULTURELLES EN EUROPE</image:title>
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      <image:title>Art_Interviews - “Nous demandons que l’art et la culture fassent partie intégrante de la politique européenne”</image:title>
      <image:caption>Alliance des Académies en Europe</image:caption>
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      <image:title>Art_Interviews - “Tražimo da umjetnost i kultura postanu integralnom sastavnicom europske politike”</image:title>
      <image:caption>Savez Akademija</image:caption>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1608144712309-01OZHVEL7DY4XU614VT5/flat%2C750x%2C075%2Cf-pad%2C750x1000%2Cf8f8f8.u1.jpg</image:loc>
      <image:title>Art_Interviews - SAVEZ AKADEMIJA - ZAJEDNIčKI PROJEKT umjetničkih akademija i kulturnih institucija</image:title>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© Espen Eichhöfer/OSTKREUZ</image:caption>
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      <image:title>Art_Interviews - “In der Wahrnehmung von Europa setzen sich Fragmente von Bildern zusammen, die nieMALS Vollständig SIND”- Ingo Taubhorn</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>© Jordis Antonia Schlösser/OSTKREUZ</image:caption>
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      <image:title>Art_Interviews - FIND more interiews on cultural policy here.</image:title>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© Johanna-Maria Fritz/OSTKREUZ</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© Jörg Brüggemann/OSTKREUZ</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© Ina Schoenenburg/OSTKREUZ</image:caption>
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      <image:caption>© Jörg Brüggemann/OSTKREUZ</image:caption>
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      <image:caption>© Espen Eichhöfer/OSTKREUZ</image:caption>
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      <image:caption>© Ina Schoenenburg/OSTKREUZ</image:caption>
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      <image:title>Art_Interviews - “With our exhibition we ASK what constitutes the intellectual SPACE OF EUROPE” - INGO TAUBHORN</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>© Jordis Antonia Schlösser/OSTKREUZ</image:caption>
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      <image:caption>© Photo by Quino Al on Unsplash</image:caption>
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      <image:caption>© Photo by Massimo Rinaldi on Unsplash</image:caption>
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      <image:caption>© Alina Tryfonidou</image:caption>
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      <image:title>Art_Interviews - “Even if only a few member states start taking steps, the LGBTIQ Equality strategy has HAD an impact”- Alina Tryfonidou</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© "Detention of Margot" / Karol Radziszewski</image:caption>
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      <image:title>Art_Interviews - “Selbst wenn nur ein paar MitgliedS-staaten Schritte in Richtung Gleichstellung unternehmen, WAR DIE LGBTIQ-strategie EIN ERFOLG”- Alina Tryfonidou</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>© Alina Tryfonidou</image:caption>
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      <image:caption>© Photo by Massimo Rinaldi on Unsplash</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© “Detention of Margot” / Karol Radziszewski</image:caption>
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      <image:caption>© Photo by Mercedes Mehling on Unsplash</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:caption>izabela anna moren © Niccolo gentili</image:caption>
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      <image:caption>© eliza collin_plant data, data animation</image:caption>
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      <image:caption>© anne duk hee jordan, atmospheres of breathing, 2020</image:caption>
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      <image:caption>© Studio rizoma</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>© STUDIO RIZOMA</image:caption>
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      <image:title>Art_Interviews - “Le periferie sono il nostro futuro: Sono i luoghi dove possiamo creare collettivi E relazioni”</image:title>
      <image:caption>Cenni Najy is a graduate of the College of Europe. He obtained a PhD from the University of Geneva, where he is currently a lecturer at the Global Studies Institute. His current teaching and research focuses on European integration. Since March 2019, Cenni Najy is vice-president of Foraus, a Swiss Thinktank on Foreign Policy.</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>© Studio rizoma</image:caption>
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      <image:caption>© anne duk hee jordan, atmospheres of breathing, 2020</image:caption>
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      <image:caption>izabela anna moren © Niccolo gentili</image:caption>
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      <image:caption>© eliza collin_plant data, data animation</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>© STUDIO RIZOMA</image:caption>
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      <image:caption>Milo Rau © Bea Borgers</image:caption>
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      <image:title>Art_Interviews - “Revolutionär wird es, wenn man das ökonomische und kulturelle system verknüpft”- MILO RAU</image:title>
      <image:caption>Ein Ausschnitt aus der Inszenierung von “Lenin” an der Schaubühne in Berlin © Thomas Aurin</image:caption>
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      <image:caption>Milo Rau während der Arbeit an “Das neue evangelium” © NTGent</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>“The Interrogation” mit dem schriftsteller edouard louis © michiel devijver</image:caption>
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      <image:caption>“Das Kongo Tribunal”, 2017 © IIPM, Freuitmarket, Langfilm</image:caption>
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      <image:caption>Eine Szene aus Milo Raus neuem Film "Das neue evangelium" © Fruitmarket:Langfilm</image:caption>
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      <image:title>Art_Interviews - “the revolution begins when you link the economic system with the cultural one”- MILO RAU</image:title>
      <image:caption>the production “Lenin” at the Schaubühne in Berlin © Thomas Aurin</image:caption>
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      <image:caption>Milo Rau while working on “the new gospel” © NTGent</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>“The Congo Tribunal”, 2017 © IIPM, Freuitmarket, Langfilm</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>“The Interrogation” with the writer edouard louis © michiel devijver</image:caption>
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      <image:title>Art_Interviews - “it starts being revolutionary when you link the economic and cultural system ”</image:title>
      <image:caption>Milo Rau © Bea Borgers</image:caption>
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      <image:caption>a scene from "the new gospel" © Fruitmarket:Langfilm</image:caption>
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      <image:caption>Milo Rau pendant le travail sur la production "The new gospel" © NTGent</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>"L'interrogatoire" avec l'écrivain Édouard Louis © michiel devijver</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>milo Rau © bea borgers</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1620066733754-L8DR68ZVQETUMT38H51R/Eine+Szene+aus+Milo+Raus+neuem+Film+%22The+New+Gospel%22+l+Foto%3A+Fruitmarket%3ALangfilm</image:loc>
      <image:title>Art_Interviews</image:title>
      <image:caption>Une scène du nouveau film de Milo Rau, "The New Gospel" © Fruitmarket:Langfilm</image:caption>
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      <image:title>Art_Interviews</image:title>
      <image:caption>“Le tribunal sur le Congo”, 2017 © IIPM, Freuitmarket, Langfilm</image:caption>
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      <image:title>Art_Interviews - “il faut lier le capital culturel avec le capital économique pour être révolutionnaire” - MILO RAU</image:title>
      <image:caption>La production de "Lénine" à la Schaubühne de Berlin © Thomas Aurin</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624986847716-SO8SBZMEVN3W88PYW6ET/10_ll_fasz_faun_tekint_a_megellegezett_jvbe_1_Br_Dvid_fotja.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Faun with a hard-on looks into the advanced future (100x50 cm, beeswax, glass, chains, macrame, ISBN – könyv+galéria, 2021), photo: Dávid Bíró</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Ádám Dallos: "Cutting Wings from the Skin for Steam Party" 200x160cm, 2019, photo: Gellért Áment</image:caption>
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      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1625075069891-9KR4E22CJZV5K36GDZ3F/Barbara+Mihalyi.jpeg</image:loc>
      <image:title>Art_Interviews - "I do not believe that the EU can save us Hungarians"-Tibor Rácz-Stefán</image:title>
      <image:caption>(c) Barbara Mihályi: "A magic place where women are free - being bold, hairy, big, small and naked"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624983797263-WT6AWX060PP4BO445LBJ/Annama%CC%81ria+Kmetyo%CC%81.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Spicy Princess alias Kmetyó Annamária</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624988245974-RH9FVX1D7A6HJ9J12O4N/rrst2.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Writer and Blogger Tibor Rácz-Stefán</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1625221416111-PRVEFGXKVD3Z2GRQCA3F/Barbara+Mihalyi.jpeg</image:loc>
      <image:title>Art_Interviews - "Nem hiszem, hogy az EU meg tud menteni minket, magyarokat"- Rácz-Stefán Tibor</image:title>
      <image:caption>(c) Barbara Mihályi: "A magic place where women are free - being bold, hairy, big, small and naked"</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Spicy Princess alias Kmetyó Annamária, Photo: Dennis Michael Khieffer Beviz, Griff Art Center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624987665669-55MKHR6OM55P1Y9DNL0O/10_ll_fasz_faun_tekint_a_megellegezett_jvbe_1_Br_Dvid_fotja.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Gideon Horvath: Álló faszú faun tekint a megelőlegezett jövőbe (100x50 cm, méhviasz, üveg, lánc, makramé, ISBN – könyv+galéria, 2021), fotó: Bíró Dávid</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624987535507-I71JDZ951ZP3L7CXEVOY/AdamDallos.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Ádám Dallos: "Cutting Wings from the Skin for Steam Party" 200x160cm, 2019, photo: Gellért Áment</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1624987881877-MDRFM7CI66EYDEVMKKZ9/rrst2.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Rácz-Stefán Tibor</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/486a5f43-643b-49be-82ed-451a596cfa7e/51613762828_76c40e700a_k.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/add84ca6-358c-4f80-a452-93b8e957042f/51614413655_71a1fde8bd_k.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/bea72c67-c1b2-4328-af55-5e3d1244f74b/Screenshot+2021-11-05+at+16-56-23+East+Europe+Biennial+Alliance.png</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Izabela Anna Moren © Studio Rizoma</image:caption>
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      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/dab50cf1-d81f-48c7-a492-a36eaaa6df6c/Sasha+Kovalenko_48771394773_25a4f24e4a_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/7a6b9551-3513-449c-a24a-4ac2279c0fae/37977845312_7263d3b934_c.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/708a40c6-6d30-43fc-83a1-ae3d9f3523ac/Sasha+Kovalenko_51603447569_6f8d2967a7_o.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/6e9c7bde-90b7-4ac1-ac20-b87cd2435f93/Sasha+Kovalenko_51603009668_3dc17ceb8d_o.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/575933d8-eec2-41d8-b384-0124213631c7/49157689686_31a7aa6229_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/fad8dfc3-9184-4e12-a820-8e31fea875d8/51613761053_0685634d0d_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1636128266400-73NVBKK7CLI61W43B0AH/Eszter-biennale-portrait-8.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
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      <image:title>Art_Interviews</image:title>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/443570e2-86c2-49e7-9d93-e44e1b853aa6/Sasha+Kovalenko_51603005773_f0159eed0e_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) SASHA KOVALENKO, VISUAL CULTURE RESEARCH CENTER</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/dab50cf1-d81f-48c7-a492-a36eaaa6df6c/Sasha+Kovalenko_48771394773_25a4f24e4a_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/2899fc2a-f9c2-4ef1-bcb5-a29803a01e62/51613540176_c366853b1e_k.jpg</image:loc>
      <image:title>Art_Interviews - “Switzerland achieved a rare form of constitutional patriotism – in the Habermasian sense – that could maybe serve as an example for the EU.”</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/7a6b9551-3513-449c-a24a-4ac2279c0fae/37977845312_7263d3b934_c.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/3da62e89-1c5c-4867-8e7d-e1510ad0b474/Sasha+Kovalenko_51601970537_4ea1a60a8a_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/77f55736-b052-4112-89e0-c04bdba5bf9d/51614194119_62c3fab0ff_k.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/575933d8-eec2-41d8-b384-0124213631c7/49157689686_31a7aa6229_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/bea72c67-c1b2-4328-af55-5e3d1244f74b/Screenshot+2021-11-05+at+16-56-23+East+Europe+Biennial+Alliance.png</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Izabela Anna Moren © Studio Rizoma</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/5d4372bf-90c5-426a-9b4c-247bb52696d3/Sasha+Kovalenko_51602794126_41b6b693de_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/708a40c6-6d30-43fc-83a1-ae3d9f3523ac/Sasha+Kovalenko_51603447569_6f8d2967a7_o.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) SASHA KOVALENKO, VISUAL CULTURE RESEARCH CENTER</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1636128266400-73NVBKK7CLI61W43B0AH/Eszter-biennale-portrait-8.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
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      <image:title>Art_Interviews</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/6e9c7bde-90b7-4ac1-ac20-b87cd2435f93/Sasha+Kovalenko_51603009668_3dc17ceb8d_o.jpg</image:loc>
      <image:title>Art_Interviews</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/add84ca6-358c-4f80-a452-93b8e957042f/51614413655_71a1fde8bd_k.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/486a5f43-643b-49be-82ed-451a596cfa7e/51613762828_76c40e700a_k.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>(c) Sasha Kovalenko, Visual culture research center</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/2797341e-f28e-4c9d-a57c-d063fdd2907a/5.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1648544559667-EYGQCTOFKSCX2R089RT6/yana-24.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko by Oleksandra Zborovskaya</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/2797341e-f28e-4c9d-a57c-d063fdd2907a/5.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/4018aeb8-7010-4719-ae5b-ee5e47bf4548/yana-24.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko by Oleksandra Zborovskaya</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko by Oleksandra Zborovskaya</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko by Oleksandra Zborovskaya</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Yana Hryhorenko</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Eugene Kuznetsov</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>© Citizen D</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Citizen D</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Citizen D</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Hasmik ghazaryan olson</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Domen Savič / Founder of Citizen D © Lenart Kučić</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/042d19ab-63e1-43e8-92d9-5d55481749f1/eugene-kuznetsov-It35Occ0TrA-unsplash.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© EUGENE kuznetsov</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© DRŽAVLJAN D</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© DRŽAVLJAN D</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Domen savič/ ustanovitelj podjetja DRŽAVLJAN D</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/0a2c2a38-4dae-4ab5-80d6-4e387571cffb/savicvodeb.png</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>© DRŽAVLJAN D</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© HASMIK GHAZARYAN OLSON</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Evgeny Granilshchikov</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/5dafa812-b930-443e-8567-276e56ef174a/08+This+is+the+last+song+of+the+evening+%28exposition%2C+2017%29.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Evgeny Granilshchikov “It is important to remember that Putin is promoting a policy of atomization of society. And people need to unite to oppose it. The idea that everyone in Russia supports the war is part of Putin's propaganda. We shouldn't believe it. I really don't know a single person who supports these crimes.”</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Evgeny Granilshchikov “I've always been able to make a statement that bypasses censorship. But now things have changed a lot. “</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Evgeny Granilshchikov</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/e67467f1-8bfd-47ed-a7d7-9b9c56958dda/11.+I+am+not+me+and+life+is+not+needed+%28performance%2C+4k+video%29+2022.jpg</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>© Evgeny Granilshchikov</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/adeeaa54-cce2-4590-aed1-8e40f1f25392/06+At+Dawn+Our+Dreams+Become+Brighter+%28by+Phone%29+2017.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Evgeny Granilshchikov “I think artists are highly demotivated. They don't want to participate anywhere, and most of them have left the country.”</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Евгений Гранильщиков</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Евгений Гранильщиков</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Евгений Гранильщиков</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/e67467f1-8bfd-47ed-a7d7-9b9c56958dda/11.+I+am+not+me+and+life+is+not+needed+%28performance%2C+4k+video%29+2022.jpg</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>© Евгений Гранильщиков</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Евгений Гранильщиков</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Евгений Гранильщиков</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Barnabás Lakatos Gelléri</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Szczoteczka z drucików tak cienkich, że rdzewieją w oczach, 2022 (Une brosse avec des fils si fins qu’ils rouillent en un clin d’œil) © Piotr Bosacki</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>"Common Threads" exhibition view, pic Tomasz Pastyrczyk courtesy of Municipal Art Gallery Gorzów Wielkopolski Poland © Monika Drożyńska</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Barbara Mihalyi</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Kasia Hertz</image:caption>
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      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Max Skorwider</image:caption>
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      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Szczoteczka z drucików tak cienkich, że rdzewieją w oczach, 2022 (Une brosse avec des fils si fins qu’ils rouillent en un clin d’œil) © Piotr Bosacki</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Barbara Mihalyi</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Kasia Hertz</image:caption>
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      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/f3a8a8c0-e084-4c76-83eb-c0a7d284b297/watki+wspolne+widok+wystawy+miejski+osrodek++fot+Tomasz+Pastyrczyk+++wielkopolski.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>"Common Threads" kiállítási nézet, kép Tomasz Pastyrczyk a Gorzów Wielkopolski Városi Művészeti Galéria jóvoltából Lengyelország © Monika Drożyńska</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Max Skorwider</image:caption>
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      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Barnabás Lakatos Gelléri</image:caption>
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      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/efcb23f7-9ad3-40a3-85fe-958083186f3d/03.JPG</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Barbara Mihalyi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/54191bb0-b8a8-43d1-899f-1adcc73a2c9b/117783778_10208231553782352_1178399823313687202_n.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Kasia Hertz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/6053c6f0-3077-40fe-887c-702d6c3277c4/Screenshot+2022-10-11+at+17.13.03.png</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Szczoteczka z drucików tak cienkich, że rdzewieją w oczach, 2022 (Une brosse avec des fils si fins qu’ils rouillent en un clin d’œil) © Piotr Bosacki</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/36a04377-41a0-46c6-bd48-f3ed81e6a63e/Screenshot+2022-10-03+at+13.23.10.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Max Skorwider</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/9b86b96b-a3a9-4592-be8d-65a6420c80df/watki+wspolne+widok+wystawy+miejski+osrodek++fot+Tomasz+Pastyrczyk+++wielkopolski.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>"Nici wspólne" widok wystawy, fot. Tomasz Pastyrczyk dzięki uprzejmości Miejskiej Galerii Sztuki Gorzów Wielkopolski Polska © Monika Drożyńska</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/c72657bf-e20d-4ff9-b716-f9c253c080cc/IMG_3392.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>© Barnabás Lakatos Gelléri</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1fb0726c-3741-4ecd-a9b8-75584e09d9cc/049DCA21-9E9F-41C2-8F6C-9ABFE797B0C9.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Mihály Biró, Red Parliament!, 1919 © Copyright of the work expired, Photo: Museum of Fine Arts - Hungarian National Gallery, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/88a06630-89b0-449b-ab08-70820737087f/D4582E9B-2539-4459-8180-F307A1DC8463.jpeg</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Lajos Tihanyi, Family, 1921 © Copyright of the work expired, Photo: Museum of Fine Arts, Budapest - Hungarian National Gallery, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/d99b6832-d3cf-4c4d-a661-756b625ff020/181FE468-EF91-4C71-BBF8-9B6DE1BD8CDF.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>László Moholy-Nagy, Construction, c. 1922 © Copyright to the work expired, Photo: bpk / Kupferstichkabinett, SMB / Jörg P. Anders</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/dc545248-1649-43f1-84ca-83e1f4f77c42/DF202892-6AB4-4333-925D-34B3D03345A6.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Hugó Scheiber, Self-portrait, 1928/30 © Copyright of the work expired, Photo: Janus Pannonius Museum, Pécs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/c6fa6940-a755-44a2-9204-c2e4d15f92c9/BDE6691D-5E0D-41B2-929F-3CE1FEEC8920.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Károly Kernstok, Younglings, 1909 © Copyright of the work expired</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/6b3faf8c-6a7f-4ca9-85a2-11f5bf9b991f/D342C0D3-B473-41EA-8CFF-9EDF63CC0D3F.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Hugó Scheiber, On the tramway, 1926, Courtesy Ernst Galerie, Budapest, © copyright on the work expired</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/d99b6832-d3cf-4c4d-a661-756b625ff020/181FE468-EF91-4C71-BBF8-9B6DE1BD8CDF.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Moholy-Nagy László, Építkezés, 1922 körül © A mű szerzői joga lejárt, Fotó: bpk / Kupferstichkabinett, SMB / Jörg P. Anders</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/6b3faf8c-6a7f-4ca9-85a2-11f5bf9b991f/D342C0D3-B473-41EA-8CFF-9EDF63CC0D3F.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Scheiber Hugó, A villamoson, 1926, Ernst Galéria jóvoltából, Budapest, © a mű szerzői joga lejárt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/c6fa6940-a755-44a2-9204-c2e4d15f92c9/BDE6691D-5E0D-41B2-929F-3CE1FEEC8920.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Kernstok Károly, Fiatalok, 1909 © A mű szerzői joga lejárt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1fb0726c-3741-4ecd-a9b8-75584e09d9cc/049DCA21-9E9F-41C2-8F6C-9ABFE797B0C9.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Biró Mihály, Vörös Parlament!, 1919 © A mű szerzői jogai lejártak, Fotó: Szépművészeti Múzeum - Magyar Nemzeti Galéria, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/dc545248-1649-43f1-84ca-83e1f4f77c42/DF202892-6AB4-4333-925D-34B3D03345A6.jpeg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Scheiber Hugó, Önarckép, 1928/30 © A mű szerzői jogai lejártak, Fotó: Janus Pannonius Múzeum, Pécs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/88a06630-89b0-449b-ab08-70820737087f/D4582E9B-2539-4459-8180-F307A1DC8463.jpeg</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>Tihanyi Lajos, Család, 1921 © A mű szerzői jogai lejártak, Fotó: Szépművészeti Múzeum, Budapest - Magyar Nemzeti Galéria, 2023</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/54c5b954-cb39-4ec0-af08-d474670b4d1c/Screenshot+2024-01-04+at+12.43.24.png</image:loc>
      <image:title>Art_Interviews - „IT would be great if the structure provided aids to building partnerships so that a solidary connection emerges.”</image:title>
      <image:caption>Hugó Scheiber, Self-portrait, 1928/30 © Copyright of the work expired, Photo: Janus Pannonius Museum, Pécs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/9bdceb84-27cc-43fc-907a-bd9c7b9eafd1/Screenshot+2024-01-04+at+12.49.34.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>the neweast websites contains an interactive map of cultural locations that is COMBINED WITH a blog in which NEWEAST continuously publishes interviews with artists and cultural actors on how they navigate their work in the post-socialist landscape.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/3fc93fed-b78f-4981-a6a1-0d2f9c440899/Screenshot+2024-01-04+at+12.00.14.png</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>NEWEAST aims to connect and expand the visibility of cultural institutions from post-socialist countries in Central and Eastern Europe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/3fc93fed-b78f-4981-a6a1-0d2f9c440899/Screenshot+2024-01-04+at+12.00.14.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>ALL PARTICIPATING INSTITUTIONS ARE LINKED ON THE NEWEAST WEBSITE: WWW.NEWEAST.ART</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/9bdceb84-27cc-43fc-907a-bd9c7b9eafd1/Screenshot+2024-01-04+at+12.49.34.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>Die neweast website gibt einen detaillierten Überblick über aufkommende kulturinitiativen und events</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/3fc93fed-b78f-4981-a6a1-0d2f9c440899/Screenshot+2024-01-04+at+12.00.14.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>ALLE BISHER PARTIZIPIERENDEN INSTITUTIONEN SIND AUF DER WEBSITE VERLINKT: WWW.NEWEAST.ART</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/3fc93fed-b78f-4981-a6a1-0d2f9c440899/Screenshot+2024-01-04+at+12.00.14.png</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>NEWEAST ist ein Kunstnetzwerk, das sich zum Ziel gesetzt hat, Kultureinrichtungen aus den postsozialistischen Ländern Zentral- und Osteuropas miteinander zu verbinden und ihre Sichtbarkeit zu erhöhen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/54c5b954-cb39-4ec0-af08-d474670b4d1c/Screenshot+2024-01-04+at+12.43.24.png</image:loc>
      <image:title>Art_Interviews - „Es wäre SCHÖN wenn NEWEAST STRUKTUREN für den Aufbau von Partnerschaften bieten würde, durch die eine solidarische Verbindung entstehen kann.”</image:title>
      <image:caption>Hugó Scheiber, Self-portrait, 1928/30 © Copyright of the work expired, Photo: Janus Pannonius Museum, Pécs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/52946d93-6ef9-4850-b460-e7ffd628d0a2/Kyiv_Perennial_newsletter_7fccb3d01c.jpg</image:loc>
      <image:title>Art_Interviews - “Peripheries Are Our Future: they are the places where We Can Create Collectives and Kinship”</image:title>
      <image:caption>PAN-EUROPEAN Kyiv Perennial addresses the multi-layered realities of war. Graphic design concept: Stefaniia Bodnia, Alyona Ciobanu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1636128268399-3MH298MRHFVBJJQ2M8OE/cherepanyn_photo.jpg</image:loc>
      <image:title>Art_Interviews - “Pursuing the politics of truth, bringing truth to the forefront of culture and politics, is perhaps the only option in a time when we're facing fascist threats around the world.”</image:title>
      <image:caption>Vasyl Cherepanyn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/56e7d499-883a-40fb-9855-fe9fb72accd7/588008_3d1d6a6b17202c60f542142a63b5ecd0.png%2C1600.png</image:loc>
      <image:title>Art_Interviews - „Some Ukrainian artists have joined the armed forces; others take part in the effort to bring the perpetrators to justice.”</image:title>
      <image:caption>Hugó Scheiber, Self-portrait, 1928/30 © Copyright of the work expired, Photo: Janus Pannonius Museum, Pécs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1134f06e-9e08-4183-bda9-de6182d47ebc/Screenshot+2024-05-03+at+06.28.54.png</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>ALL EVENTS ARE LINKED ON THE KYIV BIENNAL WEBSITE: https://2023.kyivbiennial.org/eng/program</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/575933d8-eec2-41d8-b384-0124213631c7/49157689686_31a7aa6229_o.jpg</image:loc>
      <image:title>Art_Interviews - Make it stand out</image:title>
      <image:caption>IMAGE of VASYL CHEREPANYN MADE AT THE KYIV BIENNAL IN 2021.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1586637866333-3YW21PSAHJJ0EP7ZPZ4Z/image-asset.jpeg</image:loc>
      <image:title>Art_Interviews - FIND more interviews on cultural policy here.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.betonbleu.org/essays</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611423766003-TDAKTD8UYZ7WUQ7M13O0/Th%25C3%25A9o%2BVardin%2BDOUBT_2.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>Image via Théo Vardin, Oil Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611424714237-7ZNI3FTUS9R9OSZ5MUZ3/Europ%C3%A4ische+Kulturpolitik_zugeschnitten.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>Der bewegte Zustand der europäischen Integration bietet reichlich Nährboden für die künstlerische Auseinandersetzung: Was passiert, wenn sich Menschen mit unterschiedlichen Erfahrungshorizonten begegnen? (c) pawel-czerwinski, UNSPLASH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611425189926-1S8U0Z8R7QE4WJ9TRWNQ/stael-nicolas-de.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>Kultur- und Kreativsektor ist ein essenzieller Wirtschaftszweig in der EU. (c) Nicolas de stael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611425189926-1S8U0Z8R7QE4WJ9TRWNQ/stael-nicolas-de.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>The cultural and creative sector is an essential economic force in the EU. (c) Nicolas de stael</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611423766003-TDAKTD8UYZ7WUQ7M13O0/Th%25C3%25A9o%2BVardin%2BDOUBT_2.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>Image via Théo Vardin, Oil Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611424714237-7ZNI3FTUS9R9OSZ5MUZ3/Europ%C3%A4ische+Kulturpolitik_zugeschnitten.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>The turbulent state of European integration provides fertile ground for artistic debate: What happens when people with different horizons of experience meet? (c) pawel-czerwinski, UNSPLASH</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611765480042-OTAIGDMIUGZ853KKOU1W/DOUBT_2.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>Image via Théo Vardin, OIL Painting</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1611765429375-32IHD5KNHXWFB573C17N/DOUBT_2.jpg</image:loc>
      <image:title>Essays</image:title>
      <image:caption>Image via Théo Vardin, OIL Painting</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.betonbleu.org/crew</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-03-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1600883077614-1KPCFA3L7GGNG7CFFOPX/Thorsten%2BSchr%25C3%25B6der.jpg</image:loc>
      <image:title>Contact - Managing EDITOR: THORSTEN SCHRöDER</image:title>
      <image:caption>Editor: Thorsten Schröder</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1600883029519-YB5WS8YKY7W0TX6KEAK0/Ana-Marija_Cvitic.jpg</image:loc>
      <image:title>Contact - Founder &amp; Editor-in-chief: Ana-MARIJA CVITIC</image:title>
      <image:caption>Founder &amp; Editor-In-Chief: Ana-Marija Cvitic</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.betonbleu.org/impressum</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5d766fc61df12933dc7e4068/1601968047185-YUX3WEUC83OFC12LUPHT/andrew-buchanan-ICrWR34thXA-unsplash.jpg</image:loc>
      <image:title>Impressum</image:title>
      <image:caption>(c) Andrew buchanan, unsplash</image:caption>
    </image:image>
  </url>
</urlset>

